Compare the ways in which each of these films (42nd Street, and Chicago), through their stories, characters and musical numbers, invoke the ideological strategies of the Hollywood musical (fantasy, escape, and wish fulfilment). Consider the following: how do their constructions of ‘pleasure’ and ‘unpleasure’ reflect the context of their setting (the time and place in which the stories take place), but also the context of their production (the time and place in which the films were made, and seen by audiences.] Don’t forget to provide examples from the films – including elements of film language or cinematic technique that demonstrate what you are saying.
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